Louis C.K. | Techerator https://techerator.com Techerator is an excellent source of tips, guides, and reviews about software, web apps, technology, mobile phones, and computers. Wed, 21 Dec 2011 05:03:55 +0000 en-US hourly 1 https://wordpress.org/?v=7.0.2 7158109 Louis C.K. Treads New Media Distribution Path https://techerator.com/2011/12/louis-c-k-treads-new-media-distribution-path/?utm_source=rss&utm_medium=rss&utm_campaign=louis-c-k-treads-new-media-distribution-path https://techerator.com/2011/12/louis-c-k-treads-new-media-distribution-path/#comments Wed, 21 Dec 2011 15:00:05 +0000 http://44.229.110.106/?p=16374 In case you hadn’t noticed, there is something of a revolution kicking off in the way media is distributed. It’s all going digital, the idea of ownership is changing, and, most crucially, the big media companies who currently act as middle-men are being subtly shunted out of the picture. The latest advocate of this new […]

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In case you hadn’t noticed, there is something of a revolution kicking off in the way media is distributed. It’s all going digital, the idea of ownership is changing, and, most crucially, the big media companies who currently act as middle-men are being subtly shunted out of the picture.

The latest advocate of this new way of doing business is Louis C.K. His self-distribution and honor box experiment with Live At the Beacon could pave the way for future entertainers to reach their fans and make money in the process.

Self-Distribution

Self-distribution isn’t a brand new idea. Music artists such as Radiohead and Trent Reznor have tried it before, offering albums up for download either for free or on a pay-what-you-think-it’s-worth basis. Both were highly successful, with fans supporting the effort. But both have since reverted back to using more conventional methods, suggesting the ties to record labels with their huge marketing budgets are still too tight.

There is also a self-publishing revolution occurring with a little help from Amazon. Thanks to the success of the Kindle and other eBook readers, budding novelists are now selling their written works directly through these sites. They no longer have to wait for an agent to take them on and a publisher to take note.

Louis C.K. Live At The Beacon

Louis C.K. is offering Live At The Beacon directly through his website for just $5. For that, fans can either stream or download the stand-up show. And they are doing so in their thousands. C.K. spent a small fortune putting the system in place but has already made a profit, doing so just a few days into the experiment.

His decision to put the content online with no DRM protection means Live At The Beacon has made its way onto torrent sites, but the majority of people are paying for the goods. C.K. has connected with his fans directly, made the download as easy as possible, and made it affordable to all but the tightest of individuals. And he is being rewarded for doing so.

A Path To The Future

Louis C.K. is traversing a less-traveled path than many of his comedian brethren. But even he has retained the right to sell the rights to Live At the Beacon to a traditional media company further down the line. This suggests an unwillingness to fully commit to this brave new way of distributing content, which lessens the importance of the whole experiment a little.

Still, even if C.K. does bail, someone else will now pick up from where he left off. Whether it be a fellow comedian or an entertainer from another field. If the trickle becomes a waterfall then the media companies who presently control the middle-ground between content creators and consumers will have to take note. Or stick their heads in the sand and refuse to accept the world is moving on without them. As they usually do.

Image Credit: Tyler Ross
Image Credit: Wes Bryant

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Louis C.K. Invokes the Power of the Bootlegger on Twitter https://techerator.com/2011/10/louis-c-k-invokes-the-power-of-the-bootlegger-on-twitter/?utm_source=rss&utm_medium=rss&utm_campaign=louis-c-k-invokes-the-power-of-the-bootlegger-on-twitter https://techerator.com/2011/10/louis-c-k-invokes-the-power-of-the-bootlegger-on-twitter/#comments Mon, 10 Oct 2011 17:00:45 +0000 http://44.229.110.106/?p=14933 Louis C.K. knows how to treat people; particularly, people who illegally record and (probably) intend to share his shows online. After a recent show in Ashville, NC, Louis posted this to Twitter: Naturally, most bootleggers wouldn’t respond to such a request fearing repercussions. Louis tried to dispel any distrust by quickly following with this: It didn’t […]

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Louis C.K. knows how to treat people; particularly, people who illegally record and (probably) intend to share his shows online. After a recent show in Ashville, NC, Louis posted this to Twitter:

Naturally, most bootleggers wouldn’t respond to such a request fearing repercussions. Louis tried to dispel any distrust by quickly following with this:

It didn’t take long for pmartin6245 to fulfill Louis’ request and offer to give him an iPhone recording that his friend had made.  Judging by Louis’ response, crisis averted.

If you’re a Louis C.K. fan, this probably isn’t a huge surprise because he’s one of the most grounded  big-time comedians out there. Interestingly, Louis has successfully negotiated with file sharers in the past to have content removed from Mininova, a popular BitTorrent tracker. How did he do this? By being respectful and level-headed rather than threatening and trigger-happy.

More artists need to take a cue from Louis, who seems to acknowledge that there isn’t much he can do about people who choose to break the law and record his shows. What sets Louis apart from other artists is that rather than becoming angry and lawsuit-hungry, he simply makes it work for him — without a bootlegger in the audience, Louis would probably have lost some good material.

All you artists out there write this down. Take a page from the Louis C.K. playbook and adapt. Not only will the fans love you for it, but you may find a way to co-exist with the pirates and bootleggers.

Well done, Louis. Stay classy.

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